Cut gemstones using cabochon and faceting techniques. Covers rough assessment, orientation for optimal color and yield, dopping, cutting angles, and crown/pavilion geometry for standard brilliant cuts. Use when you have rough gemstone material to cut into a cabochon or faceted stone, planning cutting orientation for optimal colour or optical phenomena, setting up a cabbing or faceting machine, or selecting the appropriate cutting approach for a given material.
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---
name: cut-gemstone
locale: wenyan
source_locale: en
source_commit: 82c77053
fence_basis_commit: 82c77053
translator: "Julius Brussee homage — caveman"
translation_date: "2026-04-19"
description: >
Cut gemstones using cabochon and faceting techniques. Covers rough
assessment, orientation for optimal color and yield, dopping, cutting
angles, and crown/pavilion geometry for standard brilliant cuts. Use when
you have rough gemstone material to cut into a cabochon or faceted stone,
planning cutting orientation for optimal colour or optical phenomena,
setting up a cabbing or faceting machine, or selecting the appropriate
cutting approach for a given material.
license: MIT
allowed-tools: Read
metadata:
author: Philipp Thoss
version: "1.0"
domain: lapidary
complexity: advanced
language: natural
tags: lapidary, cutting, faceting, cabochon, gemstones
---
# 切寶石
以凸面與刻面之法由原料切寶,含原察、定向、黏、磨、刻面之幾。
## 用時
- 有原寶石材欲切為成凸面或刻面石
- 為色、產、光象劃切向
- 首次設凸面機或刻面機
- 欲知標準亮切之冠與亭角
- 為材擇合切法
## 入
- **必要**:原寶石(已識——參 `identify-gemstone`)
- **必要**:切法決:凸面或刻面
- **必要**:目標形與約尺
- **可選**:含金剛鋸之修鋸
- **可選**:含 80/220/600/1200/3000 目輪之凸面機(為凸面)
- **可選**:含索齒、桅、盤集之刻面機(為刻面)
- **可選**:黏蠟或環氧、黏杆、酒精燈
- **可選**:標準定尺之樣(橢、圓、marquise)
## 法
### 第一步:原察與安察
切前察原料。
```text
Rough Assessment Checklist:
+--------------------+------------------------------------------+
| Factor | Assessment |
+--------------------+------------------------------------------+
| Species | Identified? (MANDATORY before cutting) |
| | Toxic dust risk? (check below) |
+--------------------+------------------------------------------+
| Fractures | Internal fractures that limit yield? |
| | Will the stone break during cutting? |
+--------------------+------------------------------------------+
| Colour zones | Where is the best colour concentrated? |
| | Can the cut centre the colour? |
+--------------------+------------------------------------------+
| Inclusions | Large inclusions that should be cut away?|
| | Silk for star stones? (orient for star) |
+--------------------+------------------------------------------+
| Size and shape | What finished shapes fit this rough? |
| | Calibrated size possible? |
+--------------------+------------------------------------------+
| Yield estimate | Approximate finished weight as % of rough|
| | Typical: 25-40% for faceting |
| | Typical: 40-60% for cabochons |
+--------------------+------------------------------------------+
SAFETY — TOXIC DUST MATERIALS:
These minerals produce hazardous dust when cut. Use wet cutting ONLY,
ensure ventilation, and wear an appropriate respirator:
- Chrysotile (asbestos serpentine) — NEVER cut dry
- Malachite — copper carbonate dust is toxic
- Cinnabar — mercury sulfide, extremely toxic
- Orpiment/Realgar — arsenic compounds
- Chrysocolla — copper silicate, moderate risk
- Tiger's eye (fibrous) — fine silica fibers
ALL stone cutting produces silica dust. Always use water cooling
and never grind or cut dry without a dust extraction system.
```
1. 確種識(若疑,先運 `identify-gemstone`)
2. 察毒塵險——某材需特防
3. 於強透光察斷裂
4. 映色區與夾之位
5. 估原可產何成形
**得:** 有文之原察,種確、裂映、色區識,切劃已成。
**敗則:** 若原多裂,考可穩否(多孔材以環氧浸)或產是否過低。某原不如售或換為標本。
### 第二步:定向劃
為色與象決最切向。
```text
Orientation Principles by Stone Type:
PLEOCHROIC STONES (tourmaline, sapphire, tanzanite, iolite):
- Orient the table perpendicular to the crystal axis showing
the best face-up colour
- Tourmaline: the c-axis often shows dark/opaque colour —
orient the table to view the a/b axis colour
- Sapphire: slight pleochroism — orient for deepest blue face-up
- Tanzanite: trichroic — blue/violet axis preferred for table
STAR STONES (star ruby, star sapphire):
- Silk (rutile needles) must be parallel to the base
- Cut as cabochon with the dome centred over the silk
- The star appears at 90 degrees to the silk orientation
CAT'S EYE STONES (chrysoberyl cat's eye, tiger's eye):
- Fibrous inclusions must run perpendicular to the length
of an elongated cabochon
- The eye appears as a bright line across the shortest dimension
COLOUR-ZONED MATERIAL (sapphire, ametrine, watermelon tourmaline):
- Position colour zones so they are not visible face-up
- Or feature them intentionally (ametrine, watermelon tourmaline)
```
1. 定石多色否——以二色鏡由多向觀
2. 象石(星、貓眼)識夾式而相向
3. 色區材,決隱或特顯
4. 以鋁筆於原標向
5. 於所擇向劃台位與深以最產
**得:** 標原石示台向、向、約界。切劃優化色顯與產。
**敗則:** 若最色向與最產衝,按優先決:色質幾皆增值甚於克拉。疑則向色。
### 第三步:凸面切
於凸面機形石為凸頂。
```text
Cabochon Cutting Sequence:
EQUIPMENT SETUP:
- Cabbing machine with water drip on all wheels
- Wheel sequence: 80, 220, 600, 1200, 3000 (or 1200 + polish)
- Dop sticks and dop wax (or cyanoacrylate adhesive)
- Safety glasses — MANDATORY
- Avoid loose clothing, tie back long hair
STEP-BY-STEP:
1. SLAB: Cut a slab 5-8mm thick through the best area
2. TEMPLATE: Mark the desired outline (oval, round, etc.)
using a template and aluminum pencil
3. TRIM: Remove excess material on the trim saw or 80-grit wheel
Cut close to the line but leave 1-2mm margin
4. DOP: Attach the slab to a dop stick with dop wax
Heat the wax, press the stone flat-side down, centre it
5. SHAPE (80 grit): Grind to the template outline
Work all the way around, maintaining symmetry
6. DOME (220 grit): Shape the dome profile
Standard dome height = ~1/3 of the stone's width
Keep the dome symmetrical — check from all angles
7. SMOOTH (600 grit): Remove 220-grit scratches
Work systematically, keeping even pressure
8. PRE-POLISH (1200 grit): Remove 600-grit scratches
The surface should feel smooth to the fingernail
9. FLAT BOTTOM: Remove the stone from the dop, re-dop
face-down, and grind the bottom flat on 220 → 600 grit
10. POLISH: See polish-gemstone skill for final finishing
```
1. 設凸面機於諸輪有水流
2. 戴安鏡——無例
3. 切板標樣界
4. 牢黏石——磨時鬆石危
5. 於 80 目磨至形,220 成頂,600 與 1200 平
6. 守頂曲一致——不勻頂拋後顯「平點」
**得:** 均頂凸面石備終拋,界勻、頂高勻、1200 目無餘跡。
**敗則:** 若頂有平點或不對稱,返 220 目重形。寧損微材勿拋不勻頂。若磨時脫黏,慎重黏而繼——先察石無損。
### 第四步:刻面
以刻面機切精幾面。
```text
Standard Round Brilliant Angles (quartz-family, RI ~1.54):
+------------------+-------+--------+
| Facet | Angle | Index |
+------------------+-------+--------+
| Crown main | 42° | 96-index: 3,9,15,21,27,33,39,45 |
| Crown break | 25° | (bisect mains) |
| Crown star | 15° | (bisect breaks toward table) |
| Table | 0° | flat |
| Pavilion main | 43° | 96-index: 3,9,15,21,27,33,39,45 |
| Pavilion break | Use GemCad or published diagrams |
+------------------+-------+--------+
Standard Round Brilliant Angles (corundum, RI ~1.76):
+------------------+-------+
| Facet | Angle |
+------------------+-------+
| Crown main | 37° |
| Pavilion main | 41° |
+------------------+-------+
CRITICAL: Pavilion angles determine brilliance.
- Too shallow → light leaks through bottom ("windowing")
- Too steep → dark extinction zones
- Correct angle → total internal reflection (brilliance)
```
1. 擇目形與材 RI 之發刻面圖
2. 備原:平亭側(尖底將向下)
3. 黏石——圓石用錐黏,他用平黏
4. 粗盤(600 目金剛)先以發角切亭面
5. 諸亭面會於精點(「culet meet」)
6. 轉至錐黏(或用轉具)以切冠
7. 切冠主、續破、後星,終立台
8. 每層先拋後拋(盤與膏擇參 `polish-gemstone`)
**得:** 刻面石有精會、勻面、佳對稱、合材 RI 之正角。
**敗則:** 若會偏,角或索設微誤。重察發圖。「追會」(調一面以修他)積誤——大誤宜重切層。小會誤為初學者常而不顯影響亮。
### 第五步:切後察
終拋前察切石。
1. 洗石徹
2. 察對稱:上觀(界)、側(比)、透台(會精)
3. 凸面:驗頂勻、察平點、確界勻
4. 刻面:於 10x 放大察會,察切段餘劃
5. 量終尺與重
6. 若發缺,返宜切步再拋
**得:** 全切石合對稱、會、表備之質準,備拋。
**敗則:** 若發大缺(對稱劣、會敗、比誤),即重切時比拋敗石再切效。記錯為下石
## 驗
- [ ] 切前已識種而察毒塵險
- [ ] 通始終戴安具(眼護、塵濺控)
- [ ] 諸磨切水冷啟
- [ ] 向劃以最色或象
- [ ] 凸面頂對稱無平點(凸面徑)
- [ ] 面會聚於點無偏(刻面徑)
- [ ] 終尺已量記
- [ ] 石無切段劃備拋
## 陷
- **切未識石**:某材產毒塵(孔雀、朱砂、溫石棉)。切前皆識。皆用水冷。
- **略向劃**:切多色石無向以色可生暗或偏色成石,正向則美。
- **乾磨**:乾磨產矽塵(慢性害)而過熱石(熱震可裂)。諸輪盤宜續流水。
- **跳目**:由 220 至 1200 留深劃,拋後顯。每目須全除前目之劃。
- **黏敗**:黏不足致石磨時移或飛。足蠟、石暖(非冷)、黏冷透再磨。
## 參
- `identify-gemstone` — 切前需種識
- `polish-gemstone` — 切後續步,含盤擇、膏擇、終飾