Use when revising an Art Bulletin manuscript after a decision and writing the response to referees — converting double-blind reviewers without diluting the art-historical contribution, while keeping anonymity and the image/permissions plan on track. Structures the response; it does not fabricate new evidence.
Scanned 6/5/2026
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---
name: artbull-revision-and-response
description: Use when revising an Art Bulletin manuscript after a decision and writing the response to referees — converting double-blind reviewers without diluting the art-historical contribution, while keeping anonymity and the image/permissions plan on track. Structures the response; it does not fabricate new evidence.
---
# Revision & Response (artbull-revision-and-response)
A revise-and-resubmit at The Art Bulletin is a real opening: promising work that needs more. The
revision and its **response to referees** must move *every* reviewer toward yes while protecting the
contribution — and, because review stays **double-blind**, the revised files must remain anonymized
and the **image/permissions** plan must keep pace with any new figures.
## When to trigger
- A decision arrived (R&R or revise) and you are planning the revision + response letter
- Referees disagree and you must reconcile their demands
- A referee asked for analysis, evidence, or images that change the paper
- Writing the cover note to the editor summarizing the revision
## Strategy
1. **Read the editor's letter as the rubric.** The editor signals which points are decisive; solve
those first and let the editor's framing guide how you weigh conflicting referees.
2. **Respond point by point — answer every comment.** Quote each comment, then respond. Silence reads
as non-compliance.
3. **Concede or rebut explicitly, with reasons.** For each: say what you changed and **where** (page,
section, figure number), or push back **respectfully** on art-historical grounds (the looking, the
documents, the historiography). A well-argued disagreement beats a hollow capitulation.
4. **Reconcile conflicting referees openly.** When one wants the opposite of another, say so, choose a
principled path, and explain the tradeoff to the editor.
5. **Protect the contribution.** Strengthen the argument and the evidence; resist changes that dilute
the thesis or over-extend it. Defend scope conditions rather than over-claiming.
6. **Keep anonymity and images in sync.** The revised manuscript stays double-blind (Word, no
self-revealing notes); any **new figures** need their **permissions** cleared and high-resolution
files planned (see `artbull-images-and-permissions`).
## Response-letter format
For each referee comment:
```
> [Quoted referee comment]
Response: [What we did / why we respectfully disagree, on art-historical grounds].
Change: [Section / page / figure number where the revision appears].
```
Open with a short **summary of the main changes** for the editor; group by referee; end each entry
with the location of every change so the editor can verify quickly.
## Anti-patterns
- Ignoring or quietly merging away a comment
- Capitulating to a request that breaks the argument just to please a referee
- Defensive or dismissive tone toward referees
- "We thank the reviewer" with no actual change or argued reason
- Adding a new figure without clearing its permissions
- Letting the revised manuscript lose anonymity
## Output format
```
【Editor's decisive points】addressed first? [list]
【Coverage】every referee comment answered? [Y/N]
【Concede vs rebut】each tagged with reason + change location
【Conflicts】reconciled and explained to editor? [Y/N]
【Contribution protected】no dilution of the thesis? [Y/N]
【Anonymity + new-figure permissions】in order? [Y/N]
【Next】resubmit to the editor
```
## Supplementary resources
- [`../../resources/external_tools.md`](../../resources/external_tools.md) — image/permissions and manuscript tooling for new figures
- [`../../resources/official-source-map.md`](../../resources/official-source-map.md) — double-blind policy and author-permissions responsibility
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