Claude Skills by gothicpixie

github.com/gothicpixie

8 skillsA× 80 installs0 views

Ai Review Of AudioAUsing multimodal LLMs (Gemini, GPT-4o-audio and similar) as a second pair of ears on a mix or radio cut: chunking and proxies, the review brief and JSON schema, timestamped notes by category and severity, blind A/B tests with position-bias controls (run both orders, count only order-consistent wins), rating tables for restoration variants, hidden-vocal checks on generated underscores, and cross-checking model notes against opendubstage qc. Use when someone wants an AI to "listen to the mix", ...content-marketingrustgoVotes: 0GitHub stars: 2
Ambience And Sound For StillsAAmbience beds, gap fill and spot effects for narrated documentaries, especially films built from photographs and silent archive: bed levels and coverage (never dead air), the gap lift, the layer hierarchy (bed / texture / spot / designed transition), density and timing rules for spot effects, no-sound classes (portraits, details, weak pictures), worldizing and era-matching so generated effects do not sound like a cartoon, and the witness test. Uses the opendubstage foley CLI (analyze, plan, c...content-marketinggobackendVotes: 0GitHub stars: 2
Dialogue Editing And RestorationACutting and cleaning narration, interview and handheld-recorder recordings for documentary and podcast mixes: sentence-exact cuts with measured air and fades, breaths and laughs kept, room-tone fills and floors, spectral repair of coughs, throat-clears and thumps (opendubstage specrepair), de-rumble and the dialogue chain order, sentence-level levelling, and what neural restoration (DeepFilterNet, Resemble Enhance, VoiceFixer, de-reverb) may and may not do. Use whenever someone is editing spo...content-marketingrustgoVotes: 0GitHub stars: 2
Documentary Sound DesignAPrinciples and order of operations for sound post on a narrated documentary, radio documentary, podcast feature or archival film: audio-first ("radio cut") editing, the four-stem model (dialogue / live / music / ambience), the density ceiling, when to use silence, and which OpenDubStage skill and tool to open next. Use this whenever someone starts planning or auditing the sound of a documentary, a narrated stills film, an oral-history piece or a long-form podcast, asks "how should the sound o...content-marketinggoVotes: 0GitHub stars: 2
Mix Qc And DeliveryAThe objective QC gate and delivery specs for a spoken-word mix (documentary, radio feature, podcast): dialogue-anchored loudness, true peak at 4x oversampling, LRA, dead air, clicks at cue edges, masking, level jumps, tonal balance, the transcription check of every narration cut, the half-volume test and the multi-system listen, with the thresholds and their sources (PRSS, ATSC A/85, EBU R128, Netflix, Torcoli/AES) and the opendubstage qc CLI. Use before any picture render, when someone asks ...content-marketinggoVotes: 0GitHub stars: 2
Music Under NarrationASpotting, placing and mixing music under and around spoken word in documentaries, radio features and podcasts: where music enters and exits (downbeats, phrase ends, posts and buttons), ducking depth and timing, the 1–4 kHz carve (opendubstage carve), the music budget (how much of the narration may have music under it), song-relative levels, instrumentals instead of sung vocals under speech, checking generated underscores for hidden vocals, key-line handling and the ending ladder. Use when som...content-marketinggoVotes: 0GitHub stars: 2
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Scene TransitionsAChapter and scene joins in a documentary or podcast mix: J-cuts (ambience pre-laps), L-cuts (music and live tails), music-to-music seams, live-sound edges, act-boundary breaths, key-line ladders, designed and memory-POV silences, and the ending ladder, applied mechanically to a cue sheet with opendubstage transitions and verified with check_transitions / bridge_gaps. Use when scenes "stop dead", when a cut into live sound is abrupt, when two songs meet, when someone asks for a J-cut, L-cut, s...content-marketinggoVotes: 0GitHub stars: 2
Voice MatchingAMaking one voice sit next to another in a documentary or podcast mix: long-term average spectrum (LTAS) EQ matching with opendubstage ltasmatch, bridging a TTS or cloned voice into a location recording (band-limit, early reflections, room-tone floor), riding and placing an off-mic second speaker, phone and tape-sync matching, and when two voices should deliberately stay different. Use when a narrator and a pickup line sound like different rooms, when synthetic or re-recorded lines must blend ...content-marketingrustgoVotes: 0GitHub stars: 2